Moon Painting

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Several days ago we ran a post titled Cloud Cutting http://www.bigshotsnow.com/cloud-cutting/ where we showed off our new weather modification process we have developed here at *The Institute. Using full disclosure you should know that we have “Applied for a Patent, Trademarked it , Branded it, and are protecting it by (American) gun-toting thugs”, who help us convince patent stealers to cease and desist. We have some of the best thugs in the world right here in our own country and they are all certified pure-bred American thugs with no ties to any other country. Period, End of Story. So rest easy only our real American thugs will call on you if you try to steal our patents. The Institute prides itself on buying American and keeping our hard-earned American money working here at home.

What happened was we forgot to tell you about one important aspect of our new technology. It is also as new and revolutionary as our Cloud Cutting program. We have named this new process Moon Painting. We know it’s not a very original name and doesn’t have that new pizzazz that some of our other high-profile programs do, but we wanted this new process to be identifiable by everyone, even if you have trouble analyzing new ideas or English is your seventh and final language. ( Hey we’re not knocking non-native English speakers. We applaud you on your efforts and thank you for trying). Half of our interns do not speak English all that well. In fact many of them do not have a discernible language of any sort, we communicate with them by American sign language and flash cards and loud yelling. It is a fact that if  you yell loudly at them in a language they do not understand they will many times nod as if understanding your meaning and go away and do stuff. Sometimes it is even what you want them to do. Sort of.

But back to the important topic at hand, Moon Painting. Here’s how it works. The moon comes up many times after dark during the month and always it is the same old boring white. Boring being the operative word here and white being the accepted moon color for ages. Our surveys show us that frankly, the majority of you are sick of it and would welcome a new color. This was electrifying news to us as we had been secretively working on the now released Cloud Cutting program, which was only financially viable during the day. We needed another revenue stream that would fill in the rest of day, the dark part, with money generating ability. It was then when someone at one of our interminable staff meetings, we forget who, yelled out “Hey, what about the freaking moon, eh? It works at night. We should like, work on that.” He said ‘eh’ again, which is so redundant the 100th time you hear it that we have chosen to omit it from now on, we don’t care how many times he says it.

But how to paint the moon? What we needed was a “long Throw” projector. Hitachi, NEC, Christie, all make a long throw projector but we needed a very Looooong Throw projector. Like 238,900 miles long. We tried daisy-chaining a bunch of them together to get that extra reach, but that didn’t work. We tried using big fat mirrors the way the huge telescope at Arecibo works but that didn’t work either. Then one of our senior staff members who spends way too much time on Craig’s list found an old used Hubble telescope that had returned not to bunged up to Earth that we could buy really cheap. Like $260 bucks cheap although we had to pay for shipping which added like a humongous charge to it. Those folks at the Post Office even made us come and pick it up. They refused to deliver it and were snotty about it besides, which is something we intend to bring up to the Post Master General the next time we’re hobnobbing at the White house.

So, we built our own. That’s right, our very own long throw projector. After all we had our old unused ShopSmith woodworking tool, an intern with most of his fingers intact, and the hearts and minds with the collective will to do the impossible to make it happen. Yes we used the Hubble as our core and also three of those Hitachi Cp-WU8461 at ten grand a pop, our second largest expense, and using our own proprietary procedures that we’re not at liberty to disclose, built an adequate but serviceable projector. We say adequate because it does have a few wrinkles to work out yet. We use Thomas Edison’s largest light bulb ever made which is 14 feet tall, weighs eight tons, and shines like the dickens to provide our light force. We could point it at you out there in the heartland or even farther but we don’t want to put your eye out. This thing is bright. You can actually see the last one (we bought the last dozen of these bulbs they had in storage) at the Edison Museum and Memorial Tower in Edison, New  Jersey. However big as the bulb is it only lasts for about 26 minutes at full power and about two and a half hours at half-strength which produces a washed out color that isn’t all that appealing. At full strength though Virgil, it’ll flat paint that moon any primary color you want. See actual image of moon being painted above. This was taken just two nights ago and we were able to keep that moon painted nearly 8 minutes before that old Edison bulb blew, taking out the mounting ring at the back of the projector, bending the mounting tube on the Hubble’s rear flange and the wall behind it. Scared the bejezuz out the operator and most of the county below the proving grounds down there on the flat lands. The lights below the moon are from the interns’ village where the substitute interns live and wait for their rotation up here at The Institute.

Our plan is to have the kinks worked out of our projector by the end of October, hopefully in time for Halloween. There are plans for many novelty projections on the moon such as a Smiley Face, Peace Symbol, Ying-Yang symbol, caricatures of your favorite or most disliked politicians, the list is endless. Plus some corporate advertising, we got to make this thing pay for itself someway. For more information or pricing please send Self-adressed stamped envelope and six dollars American money, preferably gold or silver certificates, to Tell Me More, The Institute, Northern Colorado. Please allow six to eight weeks or an even longer undetermined amount of time for delivery.

* Note: For those of you unfamiliar with The Institute and what it does, please see the page labeled The Institute on the Menu Bar above. That should explain everything. You shouldn’t have one single question remaining regarding The Institute after reading it. None. For those of you favored few who already know about the Institute, Nevermind.

Cloud Cutting

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Many of you long time readers are aware of *The Institute’s weather modification program. We developed this ability to modify and even create certain kinds of weather early on in The Institute’s development. This was done for many reasons, all of them altruistic, but mainly for money. The Institute is expensive to run and maintain and we seek funds wherever we might find them.

We have different projects in the works constantly to fund our operation, from our innovative metal can retrieval program from the roadsides of our Nation’s highways to assisting NASA with their Space Program by supporting probes to Uranus and beyond. We have an outreach program where we have housebound or incarcerated individuals address envelopes for various corporations to help keep the Post Office’s Junk Mail program alive. That keeps untold dozens of postal workers busy and gainfully employed. There is no project too small if it assists us in maintaining the integrity and longevity of The Institute and brings in a buck or two.

Our supremacy had been untouchable in the weather modification arena and we had been so far out front that you had to jump up in the air real high to even see our dust. Then the Aussie’s got in the game. Man, they are tough. Their program to limit rain and cause desertification of huge areas, if not all of their country, has been unassailable. Our program to “drought up” California has been good but we can’t even touch what the Australians are capable of. Which is difficult for us to admit. Right now they’re the ones we watch.

Because of their (we’re talking about those miserably overachieving Aussies here) ability to make inroads into the weather modification business in general, we have had to look for other areas of the business to augment our extensive programs. We believe we’ve hit on something the rest of the WeatherMod group hasn’t touched yet and that is the untouched field of Boutique Weather. This is a small business at this time but we think the potential is absolutely enormous.

There are many very wealthy States that have incredible tourism businesses. States like Colorado, Utah, Arizona ( a biggie ) Montana, parts of New Mexico and when they pay their bills (which is why we have them in a “droughtie” right now) Northern California that are looking for that edge to keep those tourists coming in and to keep them there longer. That’s where we come in. We are already supplying many of those states and other small touristy kind of countries with custom-designed sunrises and sunsets. With our new custom “Cloud Cutting” ability we can custom tailor those sunrises and sunsets by ‘cutting’ the edges and shapes of the clouds so that they can feature or highlight a tourist drawing element, by allowing the light to be directed on them for maximum viewing pleasure. Think, Devil’s Tower, or parts of the Grand Canyon, Isis for instance, where before you had a pleasant sunset that sort of showed off the various elements of the scene, but now with our Patented Applied For “Cloud Cutting” technology, those individual elements can be seen by those money-toting tourists much more clearly and colorfully than ever before. Talk about making it rain greenbacks, we can hardly keep up with the demand for these new custom tailored clouds. Now coupled with our ability to create clouds of any size, shape or profile we feel we have a real winner here. Need God beams, we can do that. Need tiny or large holes or openings in your cloud for extra special effects? We can do that. Right now the sky’s the limit, so to speak.

The image featured above is over the Eastern edge of The Institute’s testing grounds where we work on many of our new weather projects. This is the program at work using the new “Sun nibbling” feature where we are sculpting the edge of the cloud to perhaps highlight a small secluded cove on the Eastern Seaboard, or perhaps one of the little canyons that feed into the Grand Canyon, or a meadow up in Yellowstone where elk graze in the early morning or evening. The possibilities are only limited by your imagination.

We have high hopes for this new element in our Weather modification program and already interest is running high for this unique new addition and we see big things on the horizon. Watch the sky above and stay tuned for further innovations.

* Note: For those of you unfamiliar with The Institute and what it does, please see the page labeled The Institute on the Menu Bar above. That should explain everything. You shouldn’t have one single question remaining regarding The Institute after reading it. None. For those of you favored few who already know about the Institute, Nevermind.