Color Encroachment

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There is a growing problem here in the West. You don’t hear much about it in the media because there are powerful influential groups that profit by it, and by powerful I mean the entire states of Wyoming, Montana, Utah, Arizona, Arizona is a particularly bad offender, New Mexico, and yes, parts of Colorado. The problem is color encroachment.

Color encroachment is an insidious problem that insinuates itself into your experience of the west in many ways. For instance, lets say you are driving along one of the back roads in any of the afore-mentioned states, gazing occasionally at the  bland, unremarkable scenery passing by, all grays and tans and pale washed out, bluish tints of the sky, when out of the corner of your eye you notice a small seemingly insignificant amount of color creeping into view. It may just be a lighter shade of tan with a hint of yellow in it amongst the roadside vegetation. Or perhaps a reddish hue to the distant rock faces and a deeper purple-ish color to the low-lying mountains off in the distance. Then you come around a corner and it smacks you right in the face.

Incredible shades of indigo blue and deep purple, rose-colored hillsides and brilliant greens of trees next to lesser shades of yellow and pale oranges in the grasses, the deep earth tones of fences and boulders. This is color encroachment. This is raw elemental color and it is right in your face. This new spectrum of color doesn’t stay safely away in the distance, it comes right down to the roadside threatening to spill out right into your path. The dangers are obvious. Black tire marks on the pavement as vehicles screech to a stop. Burned private parts from the spilled coffee of unaware drivers who become GobSmacked by the sudden sight of this massive color change. Digital cameras of all types filled to the brim with the ones and zeros of abused pixels. The list goes on and on.

There have even been traffic accidents caused by this massive influx of color, none fatally so far, but it’s a real possibility that it could happen in  the future. Many of the states have begun to take steps to control color encroachment but so far it has been too little, too late. Wyoming for instance has started fencing in much of its color as you can see by the image above. This has helped a little but since the color can be overwhelming to those visitors who have never experienced it before, it isn’t enough. Utah and the main violator Arizona have begun running public service ads warning the unwary and first time visitors to their states about the dangers of color encroachment, but there is a powerful lobby of resort owners, tourist orientated businesses and the auto repair industry trying to keep these to a minimum, shown only late at night after the info commercials, and they are pressing fiercely to do away with them altogether.

What has been recommended by the various auto travelers associations to combat color encroachment, has been to prepare yourself before you leave on that trip of a lifetime, by looking closely at old copies of Arizona magazine, watch the various videos and documentaries that show the wonders and colors of the west and practice placing contrasting but harmonious colors on a sheet of paper with a selection of magic markers. This will go a long way towards making your trip a safe one and still allow you to look at the colors of the ever-changing scenery.

Following those few simple suggestions will get you there to that colorful wilderness you long for and bring you back again safely without harm.  And remember to pay attention to those signs posted along the highway saying, “Drowsy drivers cause accidents”.  When they should really say “Drowsy drivers fall asleep, run off the road and scream out over the cliff onto the canyon floor miles below much like Thelma and Louise. Don’t do that.” They haven’t posted the “Beware of Color Encroachment” or “Color Encroachment Ahead” signs yet but prepared drivers have them in the forefront of their minds as they drive the beautiful but colorful highways and byways on the West. Remember, Be Safe and as they say out here “Vaya con Juevos”.

Can’t Get To Heaven

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Cue blues riff: slow steady, talking blues style, capo on third fret

Bring bass up: There, right there

Cue singer: 5 4 3 2 ….

          Well, You can’t get to heaven

            On 287

            But you can get as far

                   As you can get by car…….

I’ve mentioned this blues song* before in a previous post but it was brought back to me this morning as I was traveling up highway 287 in my Yellowstone portfolio looking for an image for today’s post. I was cruising along noticing that the grass was going golden as it always does this time of year, seeing the images change as I drove through Fort Washakie towards Dubois working my way up towards Togwotee Pass, hoping to get there in time for the sunset over the Tetons. Dark was coming on fast and I knew I wasn’t going to make it in time.

The clouds were building  over the mountains and there was more than a hint of snow in the air. I wasn’t looking forward to running Togwotee in the dark in a snow storm so I put the hammer down and thanking the traffic gods for not having a Wyoming State Trooper in sight, hauled my keester down the road at a very high rate of speed.

But as they say, the best laid plans of mice and photographers oft-times get screwed up. Just when I thought I was going to make it I looked over and saw the sun breaking through the clouds, highlighting the mountain and I knew I was doomed.

As a shooter when you see light like this you have to stop and take the shot. It’s the law. You have no choice. If it means running Togwotee in the dark, in a snow storm, which I did, you have to. These things don’t happen every day. Every time is unique. You miss it you lose.

Later as you’re squinting through the windshield wipers into the driving snow, exercising fully every descriptive phrase you learned in the Navy, your headlights fully illuminating the highway 10′ in front of the truck, you think about the wisdom of what you’ve chosen to do. The trip over the pass which would normally be about an hour takes three, but you know you wouldn’t have done it any differently.

Fortunately I can review this image now, sitting here in my bathrobe, drinking English Breakfast tea, knowing I can see this sight on my screen and I won’t have to drive Togwotee in the snow. Plus you get to see it too. See, cool things are happening all around. 2015 is going to be a good year.

* I attended a concert one time some years ago and the singer talked about a singer/songwriter friend of his that was writing this song. He may have mentioned his name but if so I’ve long forgotten it unfortunately, but I never forgot the lyrics.

BigShotsNow Posts 500th Post – Thousands Cheered!

It’s a celebration!

Today is a big day. Huge, like. Today is the celebration of the 500th post on BigShotsNow.com. What you say?!? 500 posts? Most people don’t even live that long! Yes loyal readers it’s true. You have been subjected to these daily posts for the last 500 days, give or take a day or two when I’ve been traveling, but otherwise, yes, for the last 500 days I’ve gotten up and sat here in front of the computer, selected an image, then written a story about it and sent it blissfully and ignorantly out into the unknown, to make its way through the ions and eons and Oh Mon’s, not knowing whether anyone would see it, let alone read it. But it has reached many of you as can be seen by the piles and piles of threatening but somewhat flattering letters and emails that litter the floor of my office. Yes there were some flattering ones too and both of these have been gilded and placed in my hall of fame room and as an extra bonus the authors of each of the nice letters have been added to my will. So I thank you all for your support and participation.

The stats of my little blog are fairly staggering. The blog went live on March 19th 2013, a day that will live in infamy, with the aim of showing you famously beautiful photos and accompanying incredible prose that would have any one lucky enough to find my blog, staggering around in stupendous disbelief that anything so wonderful existed. Well that whole idea went to hell pretty quick. I got some decent photos published but my writing suffered a little due to the fact that I didn’t know how to write. That’s a fairly huge problem for a blog as a blog by definition is all about writing. But through perseverance and being blissfully unaware of what the readers thought, I persevered until today I get much less mail telling me to get a real job.

Being the curious type I delved into the stats for BigShotsNow and found some startling facts. Since the blog opened for business I have had visitors from all over the world. I mean all over. The blog has been looked at over 11,000 times. Although my actual subscriber list is low, people in the following countries have stopped by to lurk and marvel at the amazing content to be found here. Not too bad for never having advertised it. Here’s a list of the countries that have visited.

U.S., Germany, Russian Federation, New Zealand, U.K., Canada eh, Iceland, Netherlands, India, Australia, Mexico, United Arab Emirate, Thailand, Costa Rica, Ukraine, Nepal, Poland, Italy, Brazil, Portugal, Czech Republic, Philippines, France, Spain, Greece, Argentina, Uruguay, Chile, Malaysia, Slovenia, Columbia, Norway, Switzerland, Indonesia, Taiwan, Ecuador, Romania, South Africa, Japan, Singapore, Venezuela, Denmark, Cyprus, Belgium, Angola, Puerto Rico, Qatar, Guadalupe, Albania, Ethiopia, Israel, Nigeria, Paraguay, Nicaragua, French Guiana, Finland, Ireland, French Polynesia, Dominican Republic, Tunisia, China, Guam, Hong Kong, Turkey, Honduras, Peru, Ukraine, Algeria, Mauritius, Morocco, And more countries in Africa than will fit  here.

I know, right, who’d a thunk it. But it’s true. They’re all listed on my stats page and I don’t know why Word Press would lie to me. I mean, that wouldn’t be cool. Along the way you’ve been introduced to “The Institute”, a fictional organization created to allow me to present incredible events and highly improbable situations with a straight face. You’ve met lovable but incorrigible characters like Aunt Pheeb and Uncle Skid, who by the way are celebrating their 35th wedding anniversary by trying to circumnavigate the entire city of Orlando in Skid’s rebuilt 76′ Honda Accord. Yeah the one without the passengers seat. That’s not because it’s broken or anything, it’s where Skid keeps his case of beer. Aunt Pheeb sits in the back seat and whacks him with a bent coat hanger she keeps to remind him to drive right.

There have been funny stories, and sad stories like “Old Friends” where I revisited my best friend in the world Bill DeDog, and my tribute to the best human friend I’ve ever had, David L Hollingsworth. We served together in the Navy and he became a doctor then died suddenly from Hodgkin’s as he was entering practice as an Oncologist. How does the universe let these things happen? There have been stories about animals, people, places, supernatural events, alien probing, things that never happened but should have, Stone woman walking, trials and tribulations, time travel, raging despair, highest peaks of happiness, quiet stories of contentment, and preposterous things that never occurred but I made up simply to make you snort milk out of your nose as you read them over breakfast.

All in all this venture has been a roller coaster of emotions. I’ve loved every minute of it even as I bitched about having to write again this morning and missing it like a long lost friend when I’ve been on one of my trips where I couldn’t post due to Wi-Fi issues on the road. It has given me purpose and focus and I’ve made new friends and lost some old ones but it’s been a journey and many of you have accompanied me the entire way. For that I salute you for your courage and thank you as a friend.

It would be neat to know what the future will bring, unless it’s something horrible like your eye falls out and you step on it or something, but on second thought maybe it wouldn’t be all that neat after all. What I do know is that I shall continue to photograph and write and publish as long as I can despite the numerous requests not to. And you’re welcome to come along for the ride, there’s always room on the bus. This has certainly been a labor of love. I don’t know what my word count totals out to be over these last 500 posts, but as I write anywhere from 350 to a high of 2000 words a day it’s got to add up to the same amount as the Encyclopedia Britannica. OK maybe not that much but a whole bunch of words anyway. And so far there isn’t an end in sight. Sorry.

As part of the celebration I am goings be reposting some of the favorite stories from the last 500 days. No rhyme or reason to their order, not a top ten list, but just the ones many people seem to like. If you have any favorites you’d like to see send me a note and I’ll dig them out. dlutsey@enchantedpixels.com will get them to me. Or if you just want to say Hey, or anything else on your mind, just do it.

And remember I’m out there watching. The next story may be about you.

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Seriously, I truly want to thank each and every one of you for stopping by and checking us out. I’d probably still do this if you weren’t there but I’m really glad you are. Be well and happy, or at least content and I’ll see you at the next post.

Dwight Lutsey

Highway of Forgotten Crosses

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Somewhere south of Socorro they began to appear in profusion, these little roadside crosses. Like mushrooms on a moonlit night they suddenly pushed themselves up into view alongside the endless ribbon of blacktop. Some nestled in amongst the rabbit brush and mesquite, others standing starkly out on the weedless roadside. Some new and shiny, some a little worse for wear, and some of them so old and weather-beaten they barely looked like crosses. These were always the saddest.

No longer standing perfectly upright, but listing in whatever direction the cold New Mexico wind pushed them, they either fell over to lie on the ground, or were kept somewhat upright by the arm of the cross, looking as if they had stumbled and fallen and could barely support themselves, yet resisting the urge to just lie down and be done.

The newest of them had bright vivid plastic flowers in every hue of the rainbow, tied to the cross with twist-ties saved from bread wrappers or more elaborately using green garden tape to hold the larger bunches in place. Huge bouquets of them dwarfing the cross, resembling a small garden which had magically materialized out of the low desert where it couldn’t possibly have grown on its own. Ribbons and bows and extraordinarily beautiful rosaries draped over the crosses, placed there without a thought of their being taken, after all, who would steal from the dead, and if they did they must have needed the salvation far more than the deceased. Many times there would be a picture of a loved one held in an ornate frame or on a rare occurrence a favorite toy, but the one thing they all had in common was they stood there in mute testament to a fallen loved one.

Occasionally there would be an unopened can of beer sitting next to the cross. One doesn’t know what part alcohol played in the need for the cross to appear. For some it had to be the sole reason, for others perhaps it was simply a good memory of better times with friends and companions. It always felt odd seeing that can there. Was it more important to the deceased or the one leaving it?

The crosses themselves were often works of art, rivaling the best tombstones found in any cemetery. One notable one was fashioned out of what appeared to be mesquite wood by an obvious master craftsman. Carefully fitted together, polished to a piano finish and carved with the name “Missy” on it, it was as close to a shrine as you were going to find on that lonely stretch of road. There were fresh footprints around it and surprisingly very little dust on the flowers so it seemed that Missy had recently joined the many lonely inhabitants along the highway.

Ironically several dozen yards down the road from Missy’s cross was another one that was nearly invisible and easily overlooked. It had probably been fairly elaborate too but wasn’t anymore. It lay on its back having toppled over from the small cairn of rocks gathered to hold it upright. Perhaps by the wind or maybe by some errant animal stopping by to check it out. Javelina like to root around and stick their snouts in things. It could have easily pushed it over. If so, any tracks were long gone, the earth around the cross scrubbed clean by the wind and rain and time. It had been carefully but plainly made of wood which had been turned grey by the weather. No sign of any name was visible and there weren’t any flowers or ribbons or rosaries, just the cross, slowly breaking down into the hard packed sand of the roadside. Whoever had taken the effort to erect it hadn’t visited in a very long time. Perhaps they had their own cross somewhere else.

Other crosses weren’t quite so elaborate. They were made of practically anything one could imagine. Bent wire with a plastic bow, simple wooden ones fashioned from two slats nailed together and a name written in black magic marker on it, one made of poured concrete that must have taken several people to stand it in place, a simple wooden plank with a name barely visible scratched onto the surface, while others were obviously purchased somewhere and then embellished later. Many of these were fancy molded plastic with intricate simulated carving and verses from the bible cast onto their surfaces. Pretty, but obviously not made to stand the test of time. Perhaps the mourners thought they would last long enough and chose beauty over substance. Regardless of the material they all had been lovingly handled by whoever selected them.

Sometimes there would be a stretch of highway where several dozen or more crosses would be spaced along the roadway at varying distances, while other times you could drive for miles without seeing one. But you always saw one, sometime. They were as much a part of the scenery as the eroded arroyos and the low purple mountains off in the distance.

It is  a strange feeling standing next to one of these crosses, out in the open, out of the safety of your own vehicle, the traffic speeding by at 75 miles an hour, the trucks roaring by in the tornados of their own making, the occasional horn being blown at you to signal that they see you. Strangers hurtling towards their destination with barely a glance at this roadside marker. When there is a lull in the traffic which is seldom, you can feel the silence. The wind brushes by without a sound and the beautiful low lying mountains off towards the horizon are shrouded in a mist that partially obscures them. You can stand very still and see if you feel any presence here, I don’t, but maybe you have to have a different connection with whoever was here.

It made one think about why the need to commemorate the exact spot where this person ceased to be was important. Was the soul of the departed somehow stuck in this place, tethered as it were to this spot where life ended and had to be visited a number of times before it was free to move on? Is that why so many of the crosses were slowly fading away? The person they memorialized with this shrine had finally made that transition and there was no need to continue their upkeep? Obviously these deceased had another resting place where their actual remains were interred, and that was their eternal resting place, yet this spot where one moment they were alive and the next moment they weren’t, is as important to the living as the place in a cemetery where the remains of the departed now rests forever.

I surely don’t have any answers. It’s just what you think about as you drive along this highway of fallen crosses. The scenery is very slow to change in this part of New Mexico, the colors stay the same, the horizon never moves, you’re caught in a kind of time loop where every mile seems exactly the same as the one before it and the only change you get is seeing the next cross along the road. What happened here? Who was this person? Why did they die? Who is the person, or the people, who cared so much for them that they travelled way out here to erect a memorial to them? Why did they stop coming to tend it? Was the one who is gone now, a good person or not? Although this question and its answer no longer matters, what was, was, and its done now. Yet the questions are still never-ending.

So the next time you’re in this part of the country, on this highway somewhere south of Socorro, watch for these small crosses along the roadside. They represent the end of someone’s life, and the love someone had for them. And regardless of who the person was, whether good or bad, important or not, young or old, they were once someone just like you and I, alive, vibrant, and ready to live our lives. May they rest in peace.

Since I thought about and developed this story as I drove the miles between where I am in my own life and my destination, I’ve gone over it a thousand times in my mind. In the descriptions above I’ve made it sound like the entire stretch of the highway was littered with untended markers and that isn’t the way it was. There were stretches where that seemed to be the case and that was what caused the story to generate in my mind, but mostly the memorials were well-tended and looked as if they were visited regularly. That made me think about the part where the remains of the deceased is in their final resting place. Do the visitors who tend these crosses visit both places equally? I have never seen someone actually tending one of these markers or I would stop and ask them that very question. Not out of morbid curiosity but to find out how that actually works. Do they feel that their love for the lost one is received stronger because they make their remembrances in two places?

As a counter-point I have added a few images of these markers where they are obviously well-tended, many of them are dated and show that the site has been cared for and honored, if that is the right word, for many years.

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Christmas time is celebrated with all the family whether they’re here in person or not. It’s difficult to get a feeling as to who might be remembered here. Was it a young person? Someone to whom Christmas was very important? Or is it simply a way the remaining family wants to include them in their festivities? The joyous celebration seen here is hard to see as anything but an expression of love and acceptance of their loss.

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As you can see there are several crosses in this spot. Were they all from the same accident? There are no answers only speculations. They are all remembered each in their own way.

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I was always noticing how the plots resembled the shapes of graves in these more elaborate installations. Perhaps there isn’t any other place where this person is memorialized so the more grave-like in appearance it is the more it fulfills the needs of those doing the remembering.

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This is the most permanent marker I saw on the trip. It is fashioned out of granite with a niche and statue inside a glass enclosure. The phrase on the right side of the monument begins, if I can trust my rusty Spanish “We know you have gone to join God, it is difficult to accept…..” and then I’m lost. Using translators off the net to help decipher the verse doesn’t help much as there is something stated there upon that granite marker that doesn’t easily translate. I can certainly surmise it expresses grief, longing and love so we’ll leave it at that.

With all due respect to the families and loved ones to whom these memorials belong, I hope that you have found peace with your loss, and know that there are those who do not know you but understand your love for these people who are no longer here but occupy such a huge space in your heart. Although it is unlikely you’ll ever know that these passerby’s recognize your loss, be comforted by the fact that they do. It gives one hope that if they ever have their own cross by the roadside, someone will pass by and recognize that you too, were once here, on this highway of forgotten crosses.

Riverwalk

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First off I have to apologize to Texas. Texas I’m sorry. Seriously. I had never been to Texas before although I had been to eastern New Mexico so I thought, like I hope many others have so that I’m not entirely alone here, that there wasn’t a stitch of color in Texas. At least no primary colors. OK so occasionally you’d see a splash of red next to an armadillo road kill, or possibly that incredible yellow that big-haired Texas women with names like Birdie, Emma Louise and Big Leg Kathy, can get in a fresh perm, but no real color. Man, was I wrong. Sitting in a roadhouse eating the worlds biggest Tex-Mex combination plate one evening I casually mentioned my misbegotten prejudice to one of those self-samed big-haired women. I was told politely but firmly in that way that only big-haired, but beautiful Texas women have, that “Honey, you’d best get yourself on down to San Antonio and take a stroll through the Riverwalk. Then y’all come back and talk to me about color. You go on now.”

Because I had never been there before my only experience of Texas was the occasional movie, like “The Last Picture Show”, or “Tender Mercies”, and that sleeper “The Stars Fell on Henrietta” where all you saw was endless stretches of no color, only a vista filled with a tan that shifted just enough towards grey that you’re stretching it to call it tan. A place where a dust devil gave you some occasional relief because it was a lighter shade of tan that contrasted with the rest of the countryside. But I was misinformed about that too, as the hill country in West Texas has a muted palette that grows on you as you travel down those endless highways. Filled with the paler darker greens of the low-lying mesquite, the more vivid lime green color of the yucca with its creamy ivory and pale yellow flowers as it bloomed along the roadway, hints of red in the stone where the road builders had deeply cut through the hill, it was colorful just different. And as we all know just being different doesn’t make you bad. It might make you a little weird but not bad.

I was headed south down to Brownsville which is the furthest south you can live and still be an American, to spend the Christmas holiday with some VIP’s that winter there. These VIP’s who would like to remain nameless (fat chance) but are really my sister Marcia and her partner Paul who I call my Brother-in-law because it’s easier than calling him “my sister’s partner-in-law” had promised that if I came down for the holidays she would fix me Spaghetti for Christmas day. I did, and she did, and Christmas was splendid. She is after all the world’s greatest spaghetti sauce maker and what better way to spend Christmas than with loved ones stuffing your fat face with Bolognese. Before I got there though I took heed of the advice given me by that gorgeous big-haired woman who told me to stop in San Antonio to see the color of the Paseo del Rio, or the Riverwalk, along the San Antonio river.

Now I could spend hundreds of words describing the Riverwalk, how it’s one story below the streets of the city, how it’s five feet deep, and every other fact that you need to know to be a proper tourist, but as you know, being proper isn’t one of my major priorities. If you need to know that stuff, Google it. They do a much better job than I would in telling you everything you need to know. Besides, I hear those kind of things, that fact stuff, and it’s going in one ear and out the other. I have the attention span of a 3-speed blender when it comes to facts and dates etc., but I never forget a color or a scene or the experience of participating in an amazing event like the Riverwalk.

As this was the night before the night before Christmas they had gone all out decorating the walkways that follow along the river. Lights of every color of the rainbow were strung along the shore with care, Mariachi wandered through the restaurants’ outside eating areas playing, the happy but surprised shouts of those unlucky few who toppled into the river and the resulting laughter of those nearby rang through the night. OK, I made that last part up. Nobody fell in the river although you could if you were determined enough. The tour boats came by every 20 seconds all lit up and filled to the gunnels with happy tourists. There was even a dinner boat that went by and we all got to watch 40 people drip green chili down the front of their clothes. It was by and large simply spectacular, the Riverwalk that is not the diners.

If you are color starved by the lack of them during the winter, or even if you just want to see one of the most amazing sights you can encounter, where you can walk in one end and come out the other gob-smacked, then you need to go to San Antonio and do the Riverwalk. It’s even pretty in the daytime.

The trip was successful. I have many, many images to show you and stories to relate, both fanciful and factual, but they are for a another time. Right now it’s good to be back.

Crow Camp Montana Territory

This post has been moved to OpenChutes.com. All future postings of Powwows, Indian Relay Races, Rodeos and Rendezvous will be posted there from now on exclusively. So if you’re looking for new images and posts for all those events attended this year, plus all the old posts posted on BigShotsNow.com check out OpenChutes.com. See you there!

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A gathering of the Crow nation was held this past summer where over a thousand lodges were set up along the Little Bighorn river. There was one camp set up somewhat away from the main camp, out a ways from the river, nearly a half mile or so on the tall grass prairie, that reached out and stopped me in my tracks. I photographed it from every angle and viewpoint I could think of and the more I worked with it the more I felt drawn into the history of this event and its surroundings and the easier it was to see this as a representation of how things must have looked in 1876.

The sound of the cars and trucks going past on the highway below receded and the trappings of modern society seemed to fall away and all that was left was this image in my viewfinder, the passage of time and my connection with it all. It felt like I could have taken the next step and been back there crouched in that tall grass for whatever experience would have happened next. It was an extraordinary feeling that even though the day was in the mid 90’s raised goose bumps on my arms.

Because this view looked like it was straight out of that time period I felt that the shot I took right out of the camera wouldn’t do it justice if it was presented as a straight digital recording of the details as they looked at that moment. The day was hot and there was an occasional breeze that rippled across the tops of the long grass and washing over me brought a strong earthy smell of dry dusty grass, along with the clean scent of the open prairie. I could hear the distant shouts of people coming from the main encampment down on the river, and closer, the high-pitched whinny of a horse tied to the frame in front of a lodge. This was as close as I could get to that past moment in time when this was their reality.

Processing this image was a mixture of frustrating, exasperating hours as I added this and subtracted that to get the feeling that I had when I was there kneeling in the grass, watching, shooting, trying to take it all in. There are numerous layering’s of filters and tints and fading’s and general manipulations to obtain the feeling that is closely akin to what I experienced while taking this image. All the primary details are there, none of the main elements were added or subtracted, it has just been enhanced in the hope that by adding texture and the other effects I could recreate a feeling rather than show crisp modern detail. It isn’t exact but it does take me back to that afternoon at the Crow Camp, Montana Territory.

The image should actually have an additional line added to the title which would read ‘Circa 2014’. But as I have some doubts as to what the year actually was at the time I did this project I left it off. For me it could have easily been 1876 as 2014.

Sometimes Simple Is Better

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Portland Japanese garden

As a photographer one of your jobs is to always look for the different view, the unnoticed detail, the obvious seen in a new light. But that isn’t always simple or easy. We get trained and accustomed to seeing the overall picture, the big view and forget that it is the details that add life and meaning to what we’re seeing.

While visiting the Japanese garden in Portland a few weeks ago I found myself after two days of intensive shooting realizing that I had spent most of my time getting the big picture, the wide views of the ponds and paths and trees and the larger scenes the gardener had designed for us to notice as we strolled through the garden, and although they were breathtakingly beautiful I found that I was seeing the garden from a distance, I was missing the details that add character and texture to the garden. I wasn’t as immersed in the experience as I wanted to be.

I needed to go back through and find the small things that made this extraordinary place unique. I needed detail. When you’re visiting a place like a Japanese garden there is so much going on that everything you see is blended together. The overview and the details are blended together in such a way to make the total picture complete, that you don’t focus on the small parts that complete the view, they’re just there. There would be an empty space you would feel more than see if they were gone, that is by design. Yet that is part of the photographers problem, he has to be able to notice those details then isolate them in a meaningful way. That’s where the photographer’s eye comes in.

To do that we have to borrow a phrase from the politicians handbook and use the “KISS” method, or “Keep It Simple, Stupid”. All this means is that as you observe various details that your eye may have glanced over before, you begin to isolate that particular part of the overall view and try and present it in a way that makes it meaningful and interesting at the same time. And the best way to accomplish that is to keep it simple. Remove anything that may distract the viewer from seeing the essence of the detail and let it speak for itself. The resulting picture can often give the viewer an emotional connection to the place that isn’t always in the larger views.

I chose this image of a broom leaning against the wall for several reasons. It is iconic to a Japanese garden, I love the mood it sets up against the wall, and the third is for a more personal reason. When I was in Japan visiting the various temples and gardens there, I would notice the monks sweeping the temple grounds with these brooms. It was usually an older monk or a very young one doing the sweeping. Never a monk in the middle, if you will, I asked one of them about it and was told that they didn’t use a younger man because they did too good of a job. The result was too perfect, there wasn’t the missed leaf laying against the stone to catch your eye and draw it to the beauty of the individual, or the build up of them along the walls and walkways left there by the sweeper as he made his way along the path. The details that we would take in but not see if you will, but made the whole better, more complete. The older monks knew it didn’t matter if they missed a few and the younger ones didn’t know the difference yet. The overall effect completed the harmony.

Seeing that broom against the wall brought back those memories. A simple view but a good one.