To some of you this may simply look like a bunch of Sandhill cranes doing the Wave, but it’s not. It is something much deeper than that. It’s more than four beautiful birds taking off into the first light of dawn, or a study of fluid dynamics during take off as applied to big fat, heavier than air, cranes. No, it is the cranes way of paying homage to the early ground-breaking work of Eddie Jim Muggeridge or as he later became known, Eadweard James Muybridge, the father of stop-motion imaging.

Muybridge was a fascinating guy who was instrumental in the development of motion pictures or as we now know them, Movies. His early work in stop-motion studies where he was the first to photograph animals in motion then turning the individual photographs into a short movie, plus several inventions that he created such as the zoopraxiscope, which as everyone knows was a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography, led to fame and fortune as one of the movie business’s first moguls.

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His efforts photographing running horses and other animals and stark-naked people cavorting in the name of science led to his publishing two popular books of his work, Animals in Motion (1899) and The Human Figure in Motion (1901), both of which remain in print over a century later. These books are still used constantly today by artists, sculptors, budding filmmakers and people who just like to look at naked men and women running around doing stuff.

Sandhill cranes, who are great students of art history besides being more than adequate flyers, pay tribute to Muybridge’s work and genius each morning when they take of in a perfect recreation of one of his first studies of birds in flight. They, and we here at The Institute, are determined that his work shan’t be forgotten. We say “Well done, Eddie Jim, we salute you!”, and “Thank you for showing us Things In Motion.”