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Any one who has been to Bryce National Park can tell you about the incredible colors available to the viewing public. It’s as if every color that has ever been thought of has been used here just to impress the viewer. It would take years just to identify the shades of red used, not to mention the purples and magentas and blues and on and on and on. This random appearing vista known as Bryce National Park isn’t just left to nature to construct, this is a carefully choreographed production by many, many people who work in the color trades.
It takes a tremendous amount of effort to keep a place like Bryce looking fresh and vibrant all the time. We here at the Institute commend the National Park service for spending the time and money to keep a full staff of colorist’s working to constantly present to you, the American public, new and updated views of your national parks. It’s not easy creating the new looks the public demands, many of which are driven by the constant barrage of photos and articles in the trendy fashion magazines available now. The constant need to change and create the new looks the public demands from their national parks are powered by the advertising combines that fuel the publics’ demand for new fresh colors and textures. And that effort doesn’t even include the maintenance required in a place that has constant erosion problems from wind and rain, freeze and thaw that are a constant force here in the park. The repairs alone take a crew of seven just to keep the colors that have fallen off the rock spires swept up and carefully disposed of.
Yes it is a huge expense to keep the constant repairs and upkeep and the semi-annual color change that takes place each year up to the standards we’ve come to expect. The expense of creating and applying a new color in a national park is absolutely huge and quite frankly in the present economy not sustainable. Which is why the park has had to resort to repurposing materials that normally would be disposed of or sent to another park in a complex color exchange program. There have been cutbacks and re-budgeting that have cost the jobs of at least one colorist and two of the maintenance people that we know of and who knows what the future holds. It’s possible that if these reductions in budget continue we may be forced to resort to leaving this entire process in Mother Nature’s hands, and that is a terrifying prospect.
On a recent trip our staff photographer found some unsettling evidence of some of these new programs already in place. The image above, which was obtained under very dangerous conditions, our photographer had to walk down a hill and look behind some big rocks to be able to get a photo of this carefully hidden away site that clearly shows a color dump in use as a storage facility. It seems the material will be used to replace some of the other colors instead of manufacturing the new colors that were scheduled to be applied. We have learned that this has caused massive layoffs in not only the color manufacturing sector but in related industries as well, such as trucking, scaffolding building and erection, color application tools and devices, the list goes on. And this was only one site! Apparently there are dozens of these sites scattered around in the back areas of the park that are off-limits to the general public.
The end result of course, is that you the American public will not get to see the newest most carefully designed color schemes when you make your next visit to Bryce National park. Instead you will see the same somewhat tired, but tried and true, colors that have been used for ages, although admittedly they are perfectly adequate and the average tourist will notice little or no change but we know what the difference is. So if you want to see the latest colors displayed you better hurry and see them now, they’re already a season old and it looks like they won’t be replenished this year or for many years to come. You better jump in the old microbus and head to Bryce before Mother Nature has her way and you’re stuck with seeing the old colors for ever. P.S. bring your camera it’s still pretty.
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